Taylor Swift flaunted her casual summer fashion while heading to Electric Lady Studios in New York City on Tuesday. The 33-year-old singer-songwriter, currently on a major tour, wore a white eyelet blouse paired with a denim skirt. She confidently showed off her toned legs in a light wash jean skort, a unique clothing piece that resembles a skirt in the front but features shorts. The skort had a front flap with a side tie at her hip. Despite her recent breakup with Joe Alwyn, Taylor had a bold red lip for the outing. Completing her look, she wore caramel-colored leather loafers with a stylish strap and buckle.
Casual: Taylor Swift flaunted her chic and relaxed summer fashion as she made her way to Electric Lady Studios in New York City this past Tuesday.
The 33-year-old singer-songwriter, currently on a major tour, was seen wearing a stylish outfit consisting of a white eyelet blouse and denim skirt.
Her blouse featured a deep v-neck with ruffle details on the collar and sleeve hems, maintaining her signature girlish style.
Taylor had her dirty blonde hair swept back with bangs framing her face, exuding her usual charm.
She accessorized with delicate drop earrings and carried a small, colorful handbag for her essentials.
Recently, she surprised fans in Minneapolis with a performance of her song Dear John, which she hadn’t sung in over a decade.
The lyrics of the song, released in 2010, sparked speculation that it was inspired by her past relationship with John Mayer.
Feminine look: Taylor wore a stylish blouse that featured a plunging v-neck and delicate ruffle detailing on the collar and sleeve hems.
Taylor made the bold decision to re-record all her previous albums, introducing new ‘Taylor’s Versions’ where she would retain ownership of the music.
During her recent concert in Minneapolis, Taylor announced, “I’m releasing this album because I want to have control over my music, and I believe all artists should have that right,” as reported by USA Today.
Back in 2012, Taylor performed a live version of Dear John while on stage in Auckland, New Zealand.
The highly anticipated ‘Taylor’s Version’ of Speak Now, which includes a retake of Dear John, is scheduled for release on July 7.
John, who was 31 at the time, and Taylor, who was 19, reportedly dated from December 2009 to February 2010.
In the heartfelt lyrics of Dear John, Taylor questions, “Don’t you think I was too young to be messed with?” She reflects, “The girl in the dress cried the whole way home – I should’ve known.”
The song goes on to ponder, “Was it my naive hopefulness or your twisted desire to love and then hurt me?” Taylor sings, “You’ll paint me as a traitor who doesn’t understand, and one day, I’ll regret not running away when they warned: ‘Run as fast as you can.'”
Effortless: The worldwide sensation sported her tousled blonde locks swept back, with wispy bangs delicately framing her face.
Splash of vibrance: Taylor, who grabbed attention with her breakup from Joe Alwyn a few months ago, chose to sport a bold red lipstick for the occasion.
After spending several hours in the studio, the fashionable celebrity was spotted leaving the building.
She quickly made her way past the excited crowd standing behind metal barriers to hop into the rear seat of a waiting SUV.
Three bodyguards were by her side as she walked.
At nightfall, she decided to leave her stylish sunglasses on as she strolled towards her parked vehicle.
Taylor appeared calm and composed.
The vocalist has been putting in a lot of effort on her newest undertaking.
Jack Antonoff, the producer she often collaborates with, was next in line.
Flashback: Fans were thrilled when Taylor performed her song Dear John in Minneapolis, rumored to be about ex John Mayer, for the first time in over a decade. This surprise performance came just months after Mayer, 45, opened up about his song Paper Doll in 2013, believed to be a response to Dear John. During a live show in April, John shared with the audience his thoughts on Paper Doll, questioning whether it came across as too angry. He expressed that he wanted the song to convey more hurt than anger, and even admitted that he struggled with avoiding bitterness in his music at times.